#1970s jesus black light poster pro
#1970s jesus black light poster free

“Militant Miss” (1972), by George Stowe Jr., featured a woman posed with guns, while Goode’s “Rulers II” showed a Black man and woman “and a snarling panther.” These posters, featuring the “iconography of black power,” were, Ensminger explains, “a distinct subset within the mass of black light poster production.” These images were “heroic black figures independent of any white cultural context. 1 The inks used contain phosphors which cause them to glow when exposed to ultraviolet light emitted. A blacklight poster or black light poster is a poster printed with inks which fluoresce under a black light. Other posters echoing Black political iconography and sentiments followed. Two examples of fluorescent blacklight bulbs with light fixtures and packaging and a novelty incandescent bulb.

#1970s jesus black light poster free

The Houston Black Light Company printed posters by artist George Goode, whose illustrations included “black fantasy-warriors,” including the piece “Now! Free My Mind” (1971), which, as Ensminger writes, featured “a black man rais his unshackled fist while the background bursts with fluorescent yellow flame.” The technology was part of pop culture, but it was also a part of a larger political culture of the time. The black light poster became “closely associated with pop music and the concert culture that arose in the 1960s.” Later, one black light art company-the Houston Black Light Company-brought the experience closer to home in the early ’70s by providing everything from “astrological sex positions to repurposed folklore (‘Johnny Potseed’),” all in that glorious fluorescent glow. The technology was part of pop culture, but it was also a part of a larger political culture of the time.Įnsminger explains that the use of black light technology exploded in the late ’60s and ’70s, becoming a huge part of pop culture.

#1970s jesus black light poster pro

Limited Psychedelic Blacklight Printed in Pro Arts, Ohio between 1967 - 1984. According to Kane, “man-made fluorescents set a new premium on the mystique and aura already accrued to them.” And with the black light, an ultraviolet light that makes the bright, shimmering, fluorescent colors “pop and sizzle like no other colour can,” it was just a matter of time until art made use of the technology. Husbands for San Jose Paint - Artist Themed. Kane in the Journal of Design History: “The bizarre and unstable behaviour of fluorescence has contributed to fluorescents’ long-held associations with magic, mysticism and the transcendental, dating from the pre-Socratics through the consumer-driven present.”īut it was the manufactured variety that really shook things up. That would be a long time coming, however, since natural fluorescent colors, found in glow-in-the-dark materials like amber, had been dazzling people for a very long time, explains Carolyn L.

And while they may have been great ways to show your love of Jimi Hendrix or the Doors, there was a subgenre of black light posters featuring subjects and iconography that, as David Ensminger writes in Art in Print, reflected a “resistance to the powers-that-be.” The 1960s and ’70s saw the rise of the black light poster. The icon indicates free access to the linked research on JSTOR.